In the big display cabinet, you can admire many altar objects used during the liturgical year and celebrations. Golden and silver calices, monstrance (ostensory), patens, altar cards, pyxes and crosses suggest Venetian and German artistic influences and are between XV and XVIII.

The importance and long lasting devotion of patriarch Bertrand throughout the centuries is testified by the portrays of different periods (XVI and XVII cent.) that you can see on the walls.
The museum hosts also furnishings and art pieces that come from other churches of the diocese: the polyptych with the missing central part of Jacopo Negretti, called Palma the Young (1556-1630) and Saint Rocco (early XVI cent.), a wooden sculpture, restored in 1997, that comes from the left external wall of Saint James Apostle’s church.